DHL EXPRESS' LAST SENDING DATES FOR CHRISTMAS 2024
United Kingdom: 20 December
Europe (EU and Non-EU): 18 December
USA, Canada and Mexico: 17 December
Rest of world: 17 December
United Kingdom: 20 December
Europe (EU and Non-EU): 18 December
USA, Canada and Mexico: 17 December
Rest of world: 17 December
£18,500.00
£18,500.00
First edition, first printing. Published by Heinemann in London, 1934. This is a very good (or better) copy. The supplied dust wrapper, designed by Youngman Carter being the true first issue (7/6) has some mild creasing throughout, and some moderate separation at the spine tips. The rear panel is markedly bright. Internally, there is some slight foxing to the preliminaries and also some to the latter pages. Bound in the original black cloth, with the publisher’s device blind-stamped to the lower front board, with a slight ring to the front. The hinges are tight and unrestored. The author’s signature is present on the front fly leaf, inscribed to ‘Clive, affectionately’ in black ink. The recipient Clive Francis is a British actor, known for his roles in Stanley Kubrick’s ‘Clockwork Orange’, ‘Inspector Clouseau’ and ‘The Crown’ and was a friend of Greene’s. Provenance: Christie’s, Nov. 1994. Though at first it sold few copies, the novel was praised by Ezra Pound and Ford Madox Ford. Writing in the Spectator, V. S. Pritchett found great merit in what he called an adventurous, intelligent, genuine modern novel. The New York Times thought it engrossing, alive, and decidedly well worth reading. That reviewer praised Greene’s cinematographic style, and Greene later said that the novel was intentionally based on film technique (Surprisingly, and to Greene’s lasting amusement, it was one of the few novels he wrote that was never made into a film.) The novel’s style is also influenced by Ulysses, The Waste Land, Mrs Dalloway and, as Greene admitted, Joseph Conrad. He alludes to Conrad by naming Drover’s brother after him. Graham Greene later described it as his first overtly political novel. Its theme, said Greene, is the injustice of man’s justice. Later in life, Greene classified his major books as novels and his lighter works as entertainments; he ranked It’s a Battlefield as a novel and not a mere entertainment.
First edition, first printing. Published by Heinemann in London, 1934. This is a very good (or better) copy. The supplied dust wrapper, designed by Youngman Carter being the true first issue (7/6) has some mild creasing throughout, and some moderate separation at the spine tips. The rear panel is markedly bright. Internally, there is some slight foxing to the preliminaries and also some to the latter pages. Bound in the original black cloth, with the publisher’s device blind-stamped to the lower front board, with a slight ring to the front. The hinges are tight and unrestored. The author’s signature is present on the front fly leaf, inscribed to ‘Clive, affectionately’ in black ink. The recipient Clive Francis is a British actor, known for his roles in Stanley Kubrick’s ‘Clockwork Orange’, ‘Inspector Clouseau’ and ‘The Crown’ and was a friend of Greene’s. Provenance: Christie’s, Nov. 1994. Though at first it sold few copies, the novel was praised by Ezra Pound and Ford Madox Ford. Writing in the Spectator, V. S. Pritchett found great merit in what he called an adventurous, intelligent, genuine modern novel. The New York Times thought it engrossing, alive, and decidedly well worth reading. That reviewer praised Greene’s cinematographic style, and Greene later said that the novel was intentionally based on film technique (Surprisingly, and to Greene’s lasting amusement, it was one of the few novels he wrote that was never made into a film.) The novel’s style is also influenced by Ulysses, The Waste Land, Mrs Dalloway and, as Greene admitted, Joseph Conrad. He alludes to Conrad by naming Drover’s brother after him. Graham Greene later described it as his first overtly political novel. Its theme, said Greene, is the injustice of man’s justice. Later in life, Greene classified his major books as novels and his lighter works as entertainments; he ranked It’s a Battlefield as a novel and not a mere entertainment.
This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.
Strictly Necessary Cookie should be enabled at all times so that we can save your preferences for cookie settings.
If you disable this cookie, we will not be able to save your preferences. This means that every time you visit this website you will need to enable or disable cookies again.